La polifonía del universo concentracionario en “El largo viaje” de Jorge Semprún.

  1. Urralburu, Marcelo 1
  1. 1 Universitat de Barcelona
    info

    Universitat de Barcelona

    Barcelona, España

    ROR https://ror.org/021018s57

Aldizkaria:
Cartaphilus: revista de investigación y crítica estética
  1. Garí Barceló, Bernat (coord.)
  2. Snoey Abadías, Christian (coord.)

ISSN: 1887-5238

Argitalpen urtea: 2019

Zenbakia: 17

Orrialdeak: 341-350

Mota: Artikulua

DOI: 10.6018/CARTAPHILUS.409551 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Cartaphilus: revista de investigación y crítica estética

Laburpena

In this research we tackle the narrative mechanisms of the novel Le Grand Voyage (1963), written by Jorge Semprún as a vital closure of his experience in the Nazi’s concentration camp of Buchenwald. In this way, we identify two fundamental elements in the novel’s structure and which have an unavoidable functional dimension: the traps of memory and the secrecy in exile. Each of them, moreover, oriented towards continually distorting any single meaning or any irrevocable certainty. In other words, all the categories of the scriptures of the self correspond in this magnificent novel, but Semprún manages to go a step further. Its literary power lies in the construction of a memorial, autobiographical and different fictional storytelling, but turning said literary experience into a shared and polyphonic reality within the framework of the concentration experience. In short: the use of fragmentarity from the pole of speech issuance, as well as the use of the narrative collage technique, are not strictly Semprunian, as is natural. But they do stand out in this work for having a still modern configuration, marked by the historical vicissitudes of an entire European generation.

Erreferentzia bibliografikoak

  • SEMPRÚN, J. (1981). El largo viaje. Barcelona: Seix Barral.
  • SEMPRÚN, J. (1997). La escritura o la vida. Barcelona: Tusquets.
  • SEMPRÚN, J. (2002). Autobiografía de Federico Sánchez. Barcelona: Tusquets.
  • SEMPRÚN, J. (2002[b]). Federico Sánchez se despide de ustedes. Barcelona: Planeta.
  • CÉSPEDES GALLEGO, J. (2012). La obra de Jorge Semprún. Claves de interpretación (vol. 1), Bern: Peter Lang.
  • FERNÁNDEZ, C. (2004). Estrategias de la memoria en la obra de Jorge Semprún. Historia, Antropología y fuentes orales: núm. 32, 67-89.
  • RAMOS GAY, I. (2017). Jorge Semprún, o la literatura contra la memoria. Estudios Humanísticos. Filología: núm. 39, 25-38.
  • TORRES RABASSA, G. (2015). Intertextualidad y dialogismo en la obra autobiográfica de Jorge Semprún: la escritura del yo como diálogo con el otro. Caracol: núm. 10, 118-149.
Datuen iturria: Dialnet