Publicaciones (28) Publicaciones de David Walton

2021

  1. Cultural Studies

    Theoretically Speaking about Literature: Understanding Theory in the Study of Literary Works (Cambridge Scholars Publishing), pp. 159-168

2017

  1. Contemporary writing and the politics of space: Borders, networks, escape lines

    Peter Lang AG, pp. 1-303

  2. Writing and the politics of space: An introduction

    Contemporary Writing and the Politics of Space: Borders, Networks, Escape Lines

2016

  1. Closer to the (H)edge. Documentaries and the Isle of Man TT: From chronotopes and masturbation to celebrity culture

    European Journal of Cultural Studies, Vol. 19, Núm. 2, pp. 188-203

  2. From piss-communication to GraffARTi: Hegemony, popular culture, and the bastard art

    Materiality and Popular Culture: The Popular Life of Things (Taylor and Francis), pp. 119-131

2014

  1. The inside and outside of gendered space: Gender migration and "Little Britain" from Judith Butler's "Gender trouble" to Beatriz Preciado's "Testo Yonqui"

    Identities on the move: contemporary representations of new sexualities and gender identities (Lanham : Lexington Books, 2014), pp. 167-178

2013

  1. Universities for Sale? Academic Excellence, the Free-market Economy, and the Future of Cultural Studies: Perfomative Politics, Discontent, Resistance and (De)identification

    Mapping identity and identification processes: Approaches from cultural studies (Peter Lang Suiza), pp. 97-113

2008

  1. Introducing cultural studies: Learning through practice

    SAGE Publications Inc., pp. 1-323

2007

  1. Getting at language, power and ideology after 9/11: an intervention into 'Bushness Studies'

    Discourse and international relations (Peter Lang USA), pp. 237-262

2005

  1. From mobile phone-etics to phone-e-txt: glocalization and mobile phone culture, a report

    Culture & power: culture and society in the age of globalisation : 2005 (Prensas de la Universidad de Zaragoza), pp. 41-56

2004

  1. Fe@r, Phobi@ and P@r@noi@?: Hyperactive Man and the Aesthetics of Disappearance (or a few things you may have wanted to know about Virilio but may not have thought to ask (the) Matrix)

    Culture and power : phobias (Silva Editorial), pp. 311-326

2003

  1. Buzz Lightyear and the actress who fell in love with Truman: postmodernism, Baudrillard and some (im)possible conditions of (mis)representation

    Culture and power: music, media and visual arts (Editorial Universidad de Alcalá), pp. 37-48

2001

  1. Copernicus or Chesecake? faultlines and unjusta desserts: notes towards the cultural significance of the virtuosa

    Cuadernos de filología inglesa, Vol. 9, Núm. 2, pp. 45-66

2000

  1. Fashioning the Self from the Chasm: "De profundis" and the Chronotrope of Post-Prison Time

    Miscelánea: A journal of english and american studies, Núm. 22, pp. 159-174

1999

  1. Fatal theory and greenaway. Authoring the body as text: Active agents of miss-communication: The pillow case

    Culture and power IV: cultural confrontations (Zaragoza : Departamento de Filología Inglesa, 1999), pp. 103-118

  2. Salman Rushdie's The moor's last sigh and the Lac(k)anian Spool' of criticism: An allegory

    Actas del XXI Congreso Internacional de A.E.D.E.A.N.: (Asociación Española de estudios Anglonorteamericanos). Sevilla, 18, 19, 20 diciembre 1997

1998

  1. Death Sentences: From Rushdie's The Moor's Last Sigh to the Sign's Last Sigh: An Exercise in (Mis)communication(s) = Sentencias de muerte: desde "The Moor's Last Sigh". de Rushdie hasta el último suspiro del signo: un ejercicio de fallos de la comunicación

    Cuadernos de filología inglesa, Vol. 7, Núm. 1, pp. 73-86

  2. On the occasion of Ángel-Luis Pujante receiving the 'Premio nacional de traducción'

    Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos, Vol. 20, Núm. 2, pp. 291-292

  3. Theme-antics and the The-eerie Class: CrWit(t)icism in wRap

    Miscelánea: A journal of english and american studies, Núm. 19, pp. 189-204

1997

  1. "Serious upon trifles": the female virtuoso as post-modern allegory. An essay about nothing?

    Proceedings of the 20th International AEDEAN Conference