GOTT IST TOTreflexiones en torno a deificación de la tecnología

  1. Morgado Aguirre, Borja 1
  2. López Martín, Elena 1
  1. 1 Universidad de Murcia
    info

    Universidad de Murcia

    Murcia, España

    ROR https://ror.org/03p3aeb86

Journal:
Umática: revista sobre creación y análisis de la imagen

ISSN: 2659-8574

Year of publication: 2022

Issue Title: Art, Architecture and Visual Culture

Issue: 5

Pages: 139-158

Type: Article

DOI: 10.24310/UMATICA.2022.V4I5.15601 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Umática: revista sobre creación y análisis de la imagen

Abstract

Since the term Artificial Intelligence or AI was first defined by John McCarthy in 1956, based on the earlier work of the English mathematician Alan Turing, thinking machines have evolved significantly. Creative AIs, capable of learning as a human being would, are not fiction and are part of our daily lives. We live in a world where technology is omnipresent and omniscient, with a constant flow of data travelling through the network as the most valuable asset that man, or machine, can possess. Technology is so commonplace that our perception of it has become a kind of religious question, an existential dependence on totemic worship. This photographic project addresses these questions of an ontological nature, taking as its starting point a short story by Frederic Brown. Based on a review of the film 2001: A Space Odyssey and the ideas of Friederich Nietzsche, we reflect on the nature of AI and its evolution into the Übermensch to which posthumanism is leading us. Is Alexa God or will she become one?

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Data source: Dialnet