Ethnicity and gender in the beat generationJack Kerouac and the other woman.

Bibliographische Referenzen

• Amundsen, M. (2015). On the Road: Jack Kerouac’s Epic Autoethnography. Suomen Antropologi: Journal of the Finish Anthropological Society, 40(3), 31–44.
• Baldwin, J. (1998). The Black Boy Looks at the White Boy. Collected Essays, New York: The Library of America, 269–285.
• Bender, S. W. (2003). Greasers and Gringos: Latinos, Law, and the American Imagination. New York and London: New York University Press.
• Bill, R. (2010). Traveler or tourist? Jack Kerouac and the Commodification of culture. Dialectical Anthropology,34(3), 395–417.
• Brigham, A. (2015). American Road Narratives: Reimagining Mobility in Literature and Film. Charlottesville & London: University of Virginia Press.
• Connor, S. (1994). Rewriting Wrong: On the Ethics of Literary Reversion. Liminal Postmodernisms: The Postmodern, the (Post-) Colonial, and the (Post-) Feminist. Eds. Theo D’haen and Hans Bertens. Amsterdam: Rodopi, 79–97.
• Echeverry, M. (2011). Un Nuevo Imaginario del Nuevo Mundo: Latinoamérica en la Obra de Jack Kerouac. Medellín, 19(43), 441–456.
• García-Robles, J. (2014). At the End of the Road: Jack Kerouac in Mexico. Translated by Daniel C. Schechter. Minneapolis: University of Minnesota Press.
• Genette, G. (1997). Palimpsests: Literature in the Second Degree. Translation by Channa Newman and Claude Doubinsky. Lincoln and London: University of Nebraska Press.
• Grace, N. M. (2000). A White Man in Love: A Study of Race, Gender, Class, and Ethnicity in Jack Kerouac’s Maggie Cassidy, The Subterraneans, and Tristessa. College Literature, 27(1), 39–62.
• Hernandez, T. Z. (2017). All they Will Call You. Tucson: The University of Arizona Press.
• Hernandez, T. Z. (2013). Mañana Means Heaven. Tucson: The University of Arizona Press.
• Hunt, T. (1981). Kerouac’s Crooked Road: Development of a Fiction. Berkeley: University of California Press.
• Hunt, T. (2014). The Textuality of Soulwork: Jack Kerouac’s Quest for Spontaneous Prose. Ann Arbor: The University of Michigan Press.
• Jackson, M. E. (2013). French Friends, American Allies: Ethnic Dynamics in the Writing of Jack Kerouac. Comparative American Studies, 11(3), 280–289.
• Johnson, R. C. (2012). Beat Transnationalism under Gender: Brenda Frazer’s Troia: Mexican Memoir. The Transnational Beat Generation, Eds. Nancy M. Grace and Jennie Skerl. New York: Palgrave Macmillan, 51–66.
• Kerouac, J. (2018). Lonesome Traveler. London: Penguin Classics.
• Kerouac, J. (2007). On the Road: The Original Scroll. New York: Viking Penguin.
• Kerouac, J. (2001). The Subterraneans. London: Penguin Books.
• Kerouac, J. (1992). Tristessa. New York: Penguin Books.
• Lee, R. A. (2017). The Beats and Race. The Cambridge Companion to the Beats. Ed. Steven Belleto. New York: Cambridge University Press, 193–208.
• Ligairi, R. (2009). When Mexico Looks like Mexico: The Hyperrealization of Race and the Pursuit of the Authentic. What’s your Road, Man? Critical Essays on Jack Kerouac’s On the Road. Eds. Hilary Holladay and Robert Holton. Carbondale: Southern Illinois University Press, 139–154.
• Mailer, N. (1957). The White Negro – Superficial Reflections on the Hipster. Dissent, 4(3), 276–293.
• Markovich, M. (2013). Giving Kerouac’s ‘Mexican Girl’ Her Rightful Voice: Q&A with Tim Z. Hernandez. ZYZZYVA: A San Francisco Journal of Arts & Letters, October 23rd.
• Martinez, M. L. (2003). Countering the Counterculture: Rereading Postwar American Dissent from Jack Kerouac to Tomás Rivera. Madison: University of Wisconsin Press.
• Martinez, M. L. (1998). ‘With Imperious Eye’: Kerouac, Burroughs, and Ginsberg on the Road in South America. Aztlán, 23(1), 33–53.
• Melehy, H. (2016). Kerouac: Language, Poetics, & Territory. New York: Bloomsbury.
• Melehy, H. (2012). Jack Kerouac and the Nomadic Cartographies of Exile. The Transnational Beat Generation. Eds. Nancy M. Grace and Jennie Skerl. New York: Palgrave Macmillan, 31–50.
• Mikelli, E. (2010). A Postcolonial Beat: Projections of Race and Gender in Jack Kerouac’s The Subterraneans. Atlantis, 32(2), 27–42.
• Nicholls, B. (2003). The Melting Pot that Boiled Over: Racial Fetishism and the Lingua Franca of Jack Kerouac’s Fiction. Modern Fiction Studies, 49(3), 524–549.
• Panish, J. (1994). Kerouac’s The Subterraneans: A Study of ‘Romantic Primitivism’. MELUS, 19(3), 107–123.
• Rich, A. (1972). When We Dead Awaken: Writing as Re-Vision. College English, 34(1), Women, Writing and Teaching, Oct., 18–30.
• Richardson, M. (2001). Peasant Dreams: Reading On the Road. Texas Studies in Literature and Language, 43(2), 218–242.
• Sánchez, E. L. (2013). Latino novelist finds real woman behind iconic Jack Kerouac’s ‘Mexican Girl’. NBC Latino.
• Skinazi, K. E. H. (2009). Through Roots and Routes: On the Road’s Portrayal of an Outsider’s Journey into the Meaning of America. Canadian Review of American Studies, 39(1), 85–103.
• Spengler, O. 1991. [1923] The Decline of the West. London: Oxford University Press.
• Sterritt, D. (1998). Mad to Be Saved: The Beats, the ‘50s, and Film. Carbondale and Edwardsville: Southern Illinois University Press.
• Stevenson, G. (2020) Anti-Humanism in the Counterculture. Cham: Palgrave Macmillan.
• Tietchen, T. F. (2017). Ethnographies and Networks: On Beat Transnationalism. The Cambridge Companion to the Beats. Ed. Steven Belleto. New York: Cambridge University Press, 209–224.
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• Trudeau, J. T. (2011). Specters in the Rear-View: Haunting Whitness in Jack Kerouac’s On the Road. Text and Performance Quarterly, 31(2), April, 149–168.
• Wade-Gayles, G. (1984). No Crystal Stair: Visions of Race and Sex in Black Women’s Fiction. New York: The Pilgrim Press.
• Widdowson, P. (2006). ‘Writing back’: Contemporary Re-visionary Fiction. Textual Practice, 20(3), 491–507.