Realismo grotesco en el cine postsoviético y su perspectiva pluralista de la identidad nacional rusa
ISSN: 2174-7563
Année de publication: 2019
Titre de la publication: Arte e Identidades Nacionales
Número: 16
Type: Article
D'autres publications dans: ASRI: Arte y sociedad. Revista de investigación
Résumé
The cultural transition caused by the Perestroika´s policies confronted the Russian people with the task of rethinking their national identity based until then on Soviet ideology. The present study offers an interdisciplinary approach to the cinematographic tendency that arises in this context as heir to the literary genre "grotesque realism". The analysis of his filmic discourse reveals his commitment to a model of subjectivation based on the dialogue between the plural vital focuses inherent in today's society, offering an alternative to nationalist unification.
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