Del intérprete como soporte de la palabra enunciada al cuerpo-signo del nuevo actor

  1. Mariángeles Rodríguez Alonso 1
  1. 1 Universidad de Murcia
    info

    Universidad de Murcia

    Murcia, España

    ROR https://ror.org/03p3aeb86

Revista:
Tropelías: Revista de teoría de la literatura y literatura comparada

ISSN: 1132-2373 2255-5463

Año de publicación: 2016

Número: 25

Páginas: 283-298

Tipo: Artículo

Otras publicaciones en: Tropelías: Revista de teoría de la literatura y literatura comparada

Resumen

The present article analyzes the changes that occur in the discourse on the figure of the actor in the period from the enactment of the press law in 1966 until 1982, date which marks the consolidation of the democratic project. We note that, first, exogenous interpretive currents whose influence becomes essential in the rotation imprimed to the concept of interpretation in this time of change. The analysis of the common places towards the new discourse on the actor converges will reveal the passage of the condition of the actor as a mere instrument of theatrical communication to its place as a keystone of the dramatic event, its evolution from the support of spoken word to architect of the utterance itself, the conversion to sign of the materiality of its communicating body.