Tets de pensamiento creativo de Torrance (TTCT)elementos para la validez de constructo en adolescentes portugueses

  1. Oliveira, Ema
  2. Almeida, Leandro S.
  3. Ferrándiz García, Carmen
  4. Ferrando Prieto, Mercedes
  5. Sainz, Marta
  6. Prieto Sánchez, María Dolores
Revista:
Psicothema

ISSN: 0214-9915

Año de publicación: 2009

Volumen: 21

Número: 4

Páginas: 562-567

Tipo: Artículo

Otras publicaciones en: Psicothema

Resumen

El objetivo es estudiar la naturaleza unidimensional o multidimensional de la creatividad cuando se evalúa a través de tareas de pensamiento divergente como se propone en la batería de Torrance (Torrance Thinking Creative Test, TTCT). En esta batería se utilizan diferentes subtests de contenido verbal y figurativo orientadas a estimar el nivel de creatividad según las dimensiones o funciones cognitivas de fluidez, flexibilidad, originalidad y elaboración de las ideas de los individuos. La muestra ha sido de 595 alumnos portugueses de 5º y 6º curso. Los resultados del análisis factorial confirmatorio permiten verificar que el modelo unidimensional (un factor general de creatividad) o el modelo de factores en función de las dimensiones cognitivas de la creatividad según el contenido de las tareas no son los más ajustados. El modelo más ajustado pone de relieve una estructura factorial jerárquica, donde en el primer nivel se sitúan los factores por cada uno de los subtests aplicados, en un segundo nivel se incluye el contenido verbal o figurativo. En este sentido, se apunta la dificultad de verificar la validez estructural de los TTCT y la necesidad de realizar más estudios en orden a obtener, en la práctica, puntuaciones individuales de la creatividad.

Referencias bibliográficas

  • Abuhamdeh, S., y Csikszentmihalyi, M. (2004). The artistic personality: A systems perspective. En R.J. Sternberg, E.L. Grigorenko y J.L. Singer (Eds.): Creativity: From potential to realization (pp. 31-42). Washington, DC: American Psychological Association.
  • Alencar, E.S., y Fleith, D.S. (2003). Criatividade: Múltiplas perspectivas. Brasília: Editora Universidade de Brasília.
  • Almeida, L., Prieto, M.D., Ferrando, M., Oliveira, E., y Ferrándiz, C. (2008). Creativity: The question of its construct validity. Journal of Thinking Skills and Creativity, 3(1), 53-58.
  • Amabile, T.M. (2001). Beyond talent: John Irving and the passionate craft of creativity. The American Psychologist, 56, 333-336.
  • Antunes, A.P., y Almeida, L. (2007). Avaliar a criatividade: Contributos para validade de alguns subtestes do TPCT (Testes de Pensamento Criativo de Torrance). Revista Psicologia e Educação, 6(1), 37-53.
  • Baer, J. (1994). Why you still shouldn’t trust creativity tests. Educational Leadership, 52(2), 72-73.
  • Baer, J. (1998). The case for domain specificity of creativity. Creative Research Journal, 11(2), 173-177.
  • Chase, C.I. (1985). Review of the Torrance Tests of Creative Thinking. En J.V. Mitchell Jr. (Ed.): The ninth mental measurements yearbook (pp. 1631-1632). Lincoln: Buros Institute of Mental Measurement, University of Nebraska.
  • Clapham, M.M. (1998). Structure of figural forms A and B of the Torrance Tests of Creative Thinking. Educational and Psychological Measurement, 58(2), 275-283.
  • Clapham, M.M. (2004). The convergent validity of the Torrance Tests of Creative Thinking and creativity interest inventories. Educational and Psychological Measurement, 64(5), 828-841.
  • Claxton, A.F., Pannells, T.C., y Rhoads, P.A. (2005). Developmental trends in the creativity of school-age children. Creativity Research Journal, 17(4), 327-335.
  • Cramond, B., Matthews-Morgan, J., Bandalos, D., y Zuo, L. (2005). Report on the 40-year follow up of the Torrance Tests of Creative Thinking: Alive and well in the new millennium. Gifted Child Quarterly, 49(4), 283-293.
  • Cropley, A.J. (2000). Defining and measuring creativity: Are creativity tests worth using? Roeper Review, 23(2), 72-79.
  • Davis, G.A. (1989). Testing for creative potential. Contemporary Educational Psychology, 14, 257-274.
  • Ferrando, M. (2006). Creatividad e inteligencia emocional: un estudio empírico en alumnos con altas habilidades. Tesis doctoral. Universidad de Murcia.
  • Ferrando, M., Ferrándiz, C., Bermejo, M.R., Sánchez, C., Parra, J., y Prieto, M.D. (2007). Estructura interna y baremación del Test de Pensamiento Creativo de Torrance. Psicothema, 19(3), 489-496.
  • Guilford, J.P. (1950). Creativity. The American Psychologist, 5(9), 444454.
  • Han, K., y Marvin, C. (2002). Multiple creativities? Investigating domainspecificity of creativity in young children. Gifted Child Quarterly, 46(2), 98-109.
  • Harvey, O.J., Hoffmeister, J.K., Coates, C., y White, B.J. (1970). A partial evaluation of Torrance’s Tests of Creativity. American Educational Research Journal, 7, 359-372.
  • Heausler, N.L., y Thompson, B. (1988). Structure of the Torrance Tests of Creative Thinking. Educational and Psychological Measurement, 48, 463-468.
  • Hocevar, D. (1979a). Ideational fluency as a confounding factor in the measurement of originality. Journal of Educational Psychology, 71, 191-196.
  • Hocevar, D. (1979b). The unidimensional nature of creative thinking in fifth grade children. Child Study Journal, 9, 273-278.
  • Khatena, J. (1989). Intelligence and creativity to multitalent. The Journal of Creative Behavior, 23, 93-97.
  • Kim, K.H. (2006a). Can we trust creativity tests? A review of the Torrance Tests of Creative Thinking (TTCT). Creativity Research Journal, 18(1), 3-14.
  • Kim, K.H. (2006b). Is creativity unidimensional or multidimensional? Analyses of the Torrance Tests of Creative Thinking. Creativity Research Journal, 18(3), 251-259.
  • Kim, K.H., Cramond, B., y Bandalos, D.L. (2006). The Latent Structure and Measurement Invariance of Scores on the Torrance Tests of Creative Thinking-Figural. Educational and Psychological Measurement, 66(3), 459-477.
  • Lubart, T. (2003). La psychologie de la créativité. París: Armand Colin.
  • Morais, M.F. (2001). Definição e avaliação da criatividade: Uma abordagem cognitiva. Braga: Universidade do Minho.
  • Oliveira, E.P. (2007). Alunos sobredotados: A aceleração escolar como resposta educativa. Tese de doutoramento. Braga: Universidade do Minho.
  • Pereira, M. (1998). Crianças sobredotadas: Estudos de caracterização. Te se de Doutoramento. Coimbra: Universidade de Coimbra.
  • Plass, H., Michael, J.J., y Michael, W.B. (1974). The factorial validity of the Torrance Tests of Creative Thinking for a sample of 111 sixth-grade children. Educational and Psychological Measurement, 34(2), 413414.
  • Plucker, J.A. (1999). Is the proof in the pudding? Reanalyses of Torrance’s (1958 to Present) longitudinal data. Creativity Research Journal, 1(2), 103-114.
  • Prieto, M.D., Parra, J., Ferrando, M., Ferrándiz, C., Bermejo, M.R., y Sánchez, C. (2006). Creative abilities in early childhood. Journal of Early Childhood Research, 4(3), 277-290.
  • Runco, M.A. (1990). Implicit theories and ideational creativity. En M.A. Runco y R.S. Albert (Eds.): Theories of creativity (pp. 61-91). Newbury Park, CA: Sage.
  • Runco, M.A., y Mraz, W. (1992). Scoring divergent thinking tests using total ideational output and a creativity index. Educational and Psychological Measurement, 52, 213-221.
  • Simonton, D.K. (1990). Creativity and wisdom in aging. En J.E. Birren y K.W. Schaie (Eds.): Handbook of the psychology of aging (3rd ed., pp. 320-329). New York: Academic Press.
  • Simonton, D.K. (2000). Creativity: Cognitive, personal, developmental, and social aspects. American Psychologist, 55, 151-158.
  • Sternberg, R.J. (2006). The nature of creativity. Creativity Research Journal, 18(1), 87-98.
  • Sternberg, R.J., y Lubart, T.I. (1991). An investment theory of creativity and its development. Human Development, 34(1), 1-31.
  • Taylor, C.W. (1988). Various approaches to and definitions of creativity. En R.J. Sternberg (Ed.): The nature of creativity (pp. 99-124). Cambridge, NY: Cambridge University Press.
  • Torrance, E.P. (1966). Torrance Tests of Creative Thinking. Lexington, MA: Personnel Press.
  • Torrance, E.P. (1974). The Torrance Tests of Creative Thinking Norms Technical Manual Research Edition. Princeton, NJ: Personnel.
  • Torrance, E.P. (1976). Tests de Pensée Créative de E.P. Torrance: Manuel (2nd ed.). París: Centre de Psychologie Appliquee.
  • Torrance, E.P. (1990). The Torrance Tests of Creative Thinking: NormsTechnical manual figural (streamlined) forms A & B. Bensenville, IL: Scholastic Testing Service, Inc.
  • Torrance, E.P., y Safter, H.T. (1999). Making the creative leap beyond: Revision of the search for satori and creativity. Buffalo, NY: CEF Press.
  • Torrance, E.P., y Wu, T. (1981). A comparative longitudinal study of the adult creative achievements of elementary school children identified as highly intelligent and as highly creative. Creative Child and Adult Quarterly, 6, 71-76.
  • Treffinger, D.J. (1985). Review of the Torrance Tests of Creative Thinking. En J.V. Mitchell Jr. (Ed.): The ninth mental measurements yearbook (pp. 1632-1634). Lincoln: Buros Institute of Mental Measurement, University of Nebraska.
  • Wechsler, S.M. (1998). Avaliação multidimensional da criatividade: Uma realidade necessária. Psicologia Escolar e Educacional, 2(2), 89-99.
  • Wechsler, S.M. (2006). Validity of the Torrance Tests of Creative Thinking to the brasilian culture. Creativity Research Journal, 1(18), 15-25.