Audio-Visual Semanticspropuesta de una ontología para la descripción de secuencias audiovisuales

  1. Juan-Antonio Pastor-Sánchez 1
  2. Tomás Saorín 1
  3. Virginia Bazán 2
  4. Manuel Escribano 3
  5. María-José Baños-Moreno 1
  1. 1 Universidad de Murcia
    info

    Universidad de Murcia

    Murcia, España

    ROR https://ror.org/03p3aeb86

  2. 2 Radio Televisión Española
  3. 3 VSN Video Stream Networks
Erakutsi afiliazioak +
Liburua:
Actas del IV Congreso ISKO España-Portugal 2019, XIV Congreso ISKO España
  1. Jesús Tramullas (coord.)
  2. Piedad Garrido-Picazo (coord.)
  3. Gonzalo Marco-Cuenca (coord.)

Argitaletxea: Sociedad Internacional para la Organización del Conocimiento (ISKO)-Capítulo Ibérico

ISBN: 978-84-09-20065-8

Argitalpen urtea: 2020

Orrialdeak: 337-347

Biltzarra: Congreso ISKO España (14. 2019. Barcelona)

Mota: Biltzar ekarpena

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Laburpena

This paper shows the description of the conceptual aspects of audiovisual content through the Audio-Visual Semantics ontology (AVS) that allows to represent actions, characteristics and interactions between entities and / or elements with a multilevel granularity. For this, it is considered that the audiovisual pieces are composed of sequences. In these sequences it is possible to identify different happenings that can be described. Happenings are composed of a series of elements such as agents, actions, targets or other events. The use of qualifiers (specifying their scope and value) is contemplated to define qualities or attributes of the different elements that intervene in an event. The agents, actions, objects and qualifiers are not defined extensively in the ontology itself, but are referenced as concepts of SKOS vocabularies, which avoids modifying the AVS ontology and allows to define semantic relations between concepts and multilingual labeling. Currently, the AVS ontology is in development and in the validation phase through the description of audiovisual pieces and the verification of the results obtained.

Datuen iturria: Dialnet